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>It's up to each of us to decide what we like and don't like.

Is that really true? Because there seems to be an implicit hierarchy of art. It isn't all subjective, otherwise art critics would be out of work.

>Having said that, the best way to learn to appreciate visual art is to learn to sketch.

I'm not knocking visual art, in general. I'm a terrible painter, so I can certainly appreciate the tremendous skill and talent it requires to create a masterpieces. What I'm referring to is art that seems to be art, only because other say it's art. In the article, there's a photograph of a woman sitting in a lawn chair. Why is that art and a random photo of me doing the same thing, not?



There are hierarchies in any kind of communal human activity. Art's not special in this sense. You can choose to participate or not. And it's certainly not a single hierarchy. Take your pick, if you feel so inclined.

My reaction upon seeing something like the lawn chair piece would not be to automatically reject, but instead it would be an increase in curiosity. Why is that woman sitting in the chair? Why is it happening in this venue? Why should I care? An artist is usually trying to evoke a response of some kind. WTF is a perfectly good response to get someone's attention. From most artists point of view, the worst possible reaction is indifference.

If I have any criticism about modern art is that the ideas often really aren't that new anymore; the vein has been mined pretty extensively. Doesn't mean the art isn't any good, or that it has nothing to say, just that the term "modern" has simply become another label for particularly type of movement that doesn't connect with its original meaning.

Languages change too ...

Labels, like "art" are human conventions. They are useful in the sense that they can communicate or convince. If you feel good about not calling a work "art", rejoice. But don't be surprised when other people who dig deeper might occasionally find something of note.




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