Of course, if Rebecca is to be believed (per the above interview)...that's not at all why they cancelled it. They cancelled it because Valve was pissed off with Apple for lying to them about the size of their userbase, and then unilaterally decreed henceforth that no Valve game would ever see a release on an Apple platform.
Ah, interesting - I saved the video but haven’t gotten around to watching it yet. I don’t know if this is touched on, but it certainly does seem like Gabe’s statement could be a nicer-sounding front for what Becky says; if there are fewer users than the math for supporting HL on Macs on an ongoing basis doesn’t make as much sense.
I sure wasn't expecting to see multi-level-marketing company Cutco on the list of "Approved" vendors. I guess it depends on which moral failing you're monitoring.
I see Lodge is the first entry on their "approved" list: "The anchor of the entire counter-list." Everything I've heard from the cast iron nerds is that modern Lodge is crap because they switched to the cheaper sand casting process, which leaves a rough finish that is a PITA to season. Selling out to private equity is not a prerequisite to enshittification.
Kodi isn't a media server. Plex isn't FLOSS. Emby is what Jellyfin was forked from, and barely classifies as FLOSS anymore, and isn't as popular as Jellyfin from what I can tell. There isn't really anything else that I am aware of. Jellyfin being the #1 FLOSS media server makes sense to me, although I don't think there are really any viable #2s.
Kodi does have bultin server functionality (both DNLA and a web interface), it's just less commonly used that way, and I don't think transcoding is supported without plugins.
I tried it some time ago and found it was useless in that role.
Kodi is 99% a TV-like frontend to a local-disk media collection, its web interface is an afterthought, its performance for remotely served media is atrocious.
Jellyfin, Emby and Plex are media servers first and foremost.
I actually use Kodi 90% as a front-end to Jellyfin. If I only watched or listened to my media at my TV, just Kodi and a SMB or NFS share would be fine. But with Jellyfin I have the same media everywhere. This is somewhat more important for music than for movies and shows.
As an addendum: Japanese isn't as all-in on pitch having semantics as Chinese, but pitch is very important. Words have "pitch accent" rather than "stress" the way English has, and overall pitch is strongly politeness-coded.
Speaking higher is politer, and noticeably dropping your pitch is threatening. You probably would pitch-up when speaking to your boss, and people working in shops or restaurants nearly sing welcome/thank you for coming type things.
Don't be smartass. My question was how to change pitch? Most people can't change their pitch unless they have been trained. I can't speak with the pitch of child or woman. Neither are most people.
Comparing our culture to others, women in the U.S. are raised to do much the same. Ask anyone woman constantly misgendered for not having a high-pitched woman’s speaking tone (e.g. pacific islanders) and they’ll confirm. Best not throw stones from glass houses.
Sure, I've been here for almost 20 years. It doesn't change a fact it sounds stupid. I asked two colleagues from Japan and they both agreed this probably wasn't done by a japanese person.
How is it that Steam manages to avoid yanking games from people's libraries even after the games are delisted for licensing issues, etc? I have multiple games that you can't "buy" anymore, but Steam doesn't stop me from reinstalling them as often as I like.
Are they negotiating that as part of the deal with their vendors? Or is it as simple as "We're not dicks." ?
That's just how Valve's license agreement works. You publish with Steam and you grant Valve the right to publish the work in perpetuity.
The licensing deal made by movie studios does not work like that because the studios are intentionally predatory. The distribution agreements are temporary and can involve periodic payments. Literally Netflix rents movies from the studios and rents them back to you. The studios reserve the right to cancel distribution deals at any time.
When a movie or show gets removed from Netflix sucks but no as much since it's a subscription and you can cancel if they don't have what you like but what you do with something you bought
> How is it that Steam manages to avoid yanking games from people's libraries even after the games are delisted for licensing issues, etc?
Steam isn't innocent either. The instance that comes to mind is Order Of War: Challenge (https://www.forbes.com/sites/erikkain/2013/12/30/steam-remov...) but I've also seen people say other games have been removed from their libraries or silently replaced with "remastered" versions that removed things like licensed music. Publishers have also taken games from people's libraries by revoking their keys. Steam says publishers can do this whenever they want. In one case, after the sale they thought a player should have paid them more money (https://old.reddit.com/r/Steam/comments/w9jpd5/warning_publi...)
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